My art practice is process-based and formalized mostly through light, bodies in movement, drawing, site-specific performative installations and writing.
I respectfully overlap conversations, readings, talks, letters, maps, movement explorations, drawings, and other layers of information to configure or re-configure a performative scape for considering and investigating what senses we may convene as entry points to reality.
My belief in proximity as essential to any of these practices is stronger than ever.
